Luiz Zerbini at Sikkema Jenkins & Co

So large it’s an immersive experience just to stand in front of it, Brazilian artist Luiz Zerbini’s painting ‘Dry River’ at Sikkema Jenkins & Co juxtaposes an organizing grid against abundant plant forms.  Drawing inspiration from diverse sources including Brazilian tower blocks and his own personal garden, Zerbini’s practice revels in the abundance of natural design while prompting viewers to consider how human planning does (or does not) coexist harmoniously. (On view in Chelsea through Oct 15th).

Luiz Zerbini, Dry River, acrylic on canvas, triptych: 118 1/8 x 236 ¼ inches, 2022.

Olive Ayhens at Bookstein Projects

Olive Ayhens meets the abundance of people and buildings in New York with a profusion of recorded detail in her new series of ink and watercolor paintings at Bookstein Projects. Painted in a topsy turvy style combining multiple perspectives, Ayhens’ dynamic cityscapes look as if the buildings are in movement, perhaps shuffling down the sidewalk shoulder to shoulder like New York’s notably absent human residents. Painted in her new West Village neighborhood during the pandemic, Ayhens work reflects a sense of jittery nervousness via its architecture.  (On view on the Upper East Side through Jan 7th.  Note holiday hours and closures).

Olive Ayhens, Orange Luxury, watercolor and ink on paper, 23 x 30.5 inches, 2020.

Fu Xiaotong at Chambers Fine Art

Without putting pencil or brush to paper, Beijing-based artist Fu Xiaotong created this enigmatic cityscape, seen as if in a fog or snowstorm.  Created entirely by piercing a thick piece of paper with a needle, the scene’s suggestion of nature (even in the built environment) is appropriate, given Fu’s signature subject matter of mountains, water and other organic elements.  (On view at Chambers Fine Art in Chelsea through August 17th).

Fu Xiaotong, detail of 473,000 Pinpricks 473,000, handmade paper, 64 ¾ x 78 ¾ inches, 2017.

Luca Campigotto at Laurence Miller Gallery

Italian photographer Luca Campigotto’s cityscapes are bold and bright, though they’re shot after dark. Humans don’t feature much in the images yet our presence is felt through ubiquitous lights left on for safety, decoration, advertising and nighttime living. Here, Hong Kong glows with the intensity of over seven million lives being led and lit below. (On view at Laurence Miller Gallery through Feb 24th).

Luca Campigotto, Hong Kong, 55 x 73 ¾ inches, pure pigment print, 2016.

Bennett Vadnais in ‘Cityscapes’ at George Billis Gallery

New York painter Bennett Vadnais’ ‘House’ is a standout in George Billis Gallery’s summer group exhibition of cityscapes. Several of the show’s paintings zero in details of urban life – a water tower, a segment of a bridge – but Vadnais adds a focus on the passage of time by contrasting buildings from different eras.  (On view in Chelsea through July 22nd ).

Bennett Vadnais, House, gouache on panel, 7 x 11.5 inches.