Hong Hao in ‘Turn of the Century: Photography in China’ at Chambers Fine Art

For over a decade, item by item, Beijing-based artist Hong Hao scanned his belongings for ‘My Things,’ a series of digitally constructed collages detailing his possessions, from the orderly spines of hundreds of books to more chaotic-seeming arrangements like this one that combine elements from different aspects of life.  The abundant objects in each image of the series speak to consumption, but Hong Hao explains that the act of scanning is meaningful as well as it ‘embodies a calm observation without any pre-judgement, a plain testimony, a relevant context for aesthetic exploration.’ (On view in ‘Turn of the Century:  Photography in China’ at Chambers Fine Art in Chelsea through August 31st.)

Hong Hao, My Things No. 3, scanned color photograph, edition 9/15, 2001-2002.

Wu Jian’an at Chambers Fine Art

This small detail from a paper cut tiger’s face by Beijing-based Wu Jian’an astounds with its detail. Created in unlikely colors, the pastels lend the tiger a dream-like appearance, in keeping with the esoteric imagery. (In Chelsea at Chambers Fine Art through Dec 20th).

Wu Jian’an, detail of ‘Faces – Tiger,’ hand dyed and waxed paper-cut, cotton thread, paper, 66 ¼ x 53 ¼ inches, 2014.

Ai Wei Wei at Chambers Fine Art

This small exhibition of work by the Chinese dissident artist Ai Wei Wei at Chelsea’s Chambers Fine Art shows the artist continuing to work on themes related to the 2008 earthquake in Sichuan province. Here, a marble rendering of a twisted piece of metal rebar is placed on each casket, acting as memorial to the thousands of children who died when their shoddily constructed schools collapsed. (Through Nov 1st).

Ai Wei Wei, installation of ‘Rebar Casket and Marble Rebar,’ nos I – VIII, huali wood, marble and foam, 2014.

Xie Xiaoze at Chambers Fine Art

Guangdong-born Stanford professor Xie Xiaoze expands his ‘Chinese Library’ series with huge new paintings of tattered, scholarly books. The show also includes paintings of politically sensitive images from Chinese social media giant Weibo relating to corruption, environmental damage and more. (At Chelsea’s Chambers Fine Art through April 12th).

Xie Xiaoze, Chinese Library No. 57, oil on canvas, 48 x 74 ¼ inches, 2014.

Gu Wenda at Chambers Fine Art

New York based Chinese artist Gu Wenda draws on scholarly Chinese painting for these nine and a half feet tall, ink on rice paper on board drawings, each featuring a landscape and calligraphy and relating to his recent project proposal for a landscaped garden rich with symbolism.  (At Chambers Fine Art in Chelsea through Dec 21st).  

Gu Wenda, installation view of ‘Central Park’ at Chambers Fine Art, Nov, 2013.  (In the foreground:  Central Park – Concept #1:  Winter Snow, chinese ink, rice paper mount on wooden board, 2008).