David Benjamin Sherry at Salon94 Bowery

Working blind in the dark room, David Benjamin Sherry exposes cardboard templates, acetates printed with patterns, his own body and that of his dog, Wizard to light sensitive paper. The vibrantly colored results don’t bear a recognizable likeness of the artist, but they feel intensely personal nonetheless. (At Salon94 Bowery on the Lower East Side through July 27th).

David Benjamin Sherry, detail of Metamorphosis (Self-portrait with Wizard), 150C40M0Y, unique color darkroom photogram, 72.25 x 29.75 inches (image, no frame), 2017.

Lisa Oppenheim at Tanya Bonakdar Gallery




It’s important to know but hard to guess how New York artist Lisa Oppenheim sources the materials she uses to make her images – in this case, swirling clouds or monstrous faces that emerge from book matched wood. Using a thin sheet of veneer from Eastern Red Cedar, the artist created a camera-less photogram, which she then framed in Eastern Red Cedar and in birch, a wood used to imitate cedar. (At Tanya Bonakdar Gallery through Feb 20th).

Lisa Oppenheim, Landscape Portraits (Eastern Red Cedar)(Version I), set of four silver gelatin photograms in Eastern Red Cedar and Birch frames, 51 5/8 x 55 inches, 2015.


Bryan Graf in ‘A Room of One’s Own’ at Yancey Richardson Gallery

In this detail of a photogram by NJ/Maine artist Bryan Graf, the artist’s hand reaches into the frame, conjuring swirls of mesh into a dynamic design. In the accompanying Polaroid (not pictured here), we see a straight shot of the artist revealing his magic as he holds screen material in front of light sensitive paper. (At Yancey Richardson Gallery through August 21st).

(Detail of) Bryan Graf, Shot/Reverse Shot (Corner Piece #2) December 18, 2012, Polaroid and two gelatin silver prints, Polaroid: 3.5 x 4.5 inches, Gelatin silver diptych: 24 x 40 inches, unique.