Meg Webster in ‘Non-Vicious Circle’ at Paula Cooper Gallery

Unlike her mid-20th century counterparts who also employed minimalist forms, repetition, and awareness of the immediate environment in their sculpture, Meg Webster’s interest in the natural world connects her installation of five glass spheres from 1987 at Paula Cooper Gallery to the wonder of naturally occurring phenomena.  The imperfectly formed shapes are scaled up to the size of those made by huge bubble wands at a kids’ science museums yet they evoke the briefly lived magic of a floating pocket of air.  (On view in Chelsea through August 16th).

Meg Webster, Largest Blown Sphere, five glass spheres, each 36 x 36 x 36 inches, 1987.

Liz Craft in ‘Dirge’ at JTT

Liz Craft’s speech bubbles, made into faces by the shapes of protruding ceramic mushrooms, are a standout in JTT’s summer group show, Dirge, which considers how artists engage with accounts of history. Here, Craft merges contemporary text-message bubbles with pre-electrical light (a candle). The mushroom face suggests a voice from 70s counterculture speaking from the void. (On the Lower East Side through July 28th).

Liz Craft, Mushroom Bubble (Green), ceramic, grout, aluminum, wood, 30 x 31.5 inches, 2016.