Julie Schenkelberg at Asya Geisberg Gallery

From the heart of the Rust Belt to the heart of Chelsea, scenic designer turned fine artist Julie Schenkelberg has transplanted an installation begun in a disused church basement to Asya Geisberg Gallery. Furniture, dishware, wedding dresses and more combine to create a monument to memory and decay. (In Chelsea through Oct 24th).

Julie Schenkelberg, Swan Song, reclained lath, wood, marble, iron, paper, vintage furniture, dishware, figurines, natural debris, crushed reclaimed metal, light fixtures, vintage wedding dresses, bathtub, wallpaper, plaster, paint, dimensions variable, 2015.

Mira Dancy adn Sarah Peters at Asya Geisberg Gallery

New York artists Mira Dancy and Sarah Peters compliment each other’s interest in picturing female bodies in a joint show at Asya Geisberg Gallery that pairs Dancy’s energetic expressionist painting with Peter’s pleasingly strange mannerist sculptures. Here, an erotically posed nude in shades of pink, peach and a vivid yellow contrast a composed character exuding thoughtful calm. (In Chelsea through Nov 26th).

Mira Dancy, Dream of the Unicorn Tapestry, acrylic on canvas, 44 x 40 inches, 2014 (left) and Sarah Peters, Portrait with Long Neck, plaster, 13 x 9 x 8 inches, 2014 (right).

Elisa Lendvay in ‘About a Mountain’ at Asya Geisberg Gallery

Brooklyn-based artist Elisa Lendvay’s totemic objects stand out in Asya Geisberg Gallery’s dystopic summer group show as tools for navigating a hostile environment. They bring to mind masks or divining rods without revealing any intended purpose, allowing us to invent our own uses. (Through Aug 15th).

Elisa Lendvay, (top) Inverted Pocket, papier mache, silver leaf, acrylic paint, 12 x 7 x 2.5,” 2012, (middle) Code, bamboo, papier mache, silver leaf, acrylic paint, wire, 16.5 x 18 x 2,” (bottom) Skate, wood, wire, plastic, papier mache, acrylic paint and medium, 17.5 x 11 x 1.25,” 2013.

Rebecca Morgan at Asya Geisberg Gallery

Poised like Venus lying in the grass or hiking semi-nude with a walking stick and an open flannel shirt, Pennsylvania-based artist Rebecca Morgan’s self-portraits are skillfully crafted, hilarious takes on rural stereotypes. Here, she changes gears, donning a ‘depression blanket’ to ward off the chill and the mental state her far-away look suggests. (At Chelsea’s Asya Geisberg Gallery through March 29th).

Rebecca Morgan, Depression Blanket, oil and graphite on panel, 28” x 22,” 2014.

Angelina Gualdoni at Asya Geisberg Gallery

Working from collages and digitally manipulated photos, New York artist Angelina Gualdoni merges still life and abstraction to captivating effect.  This painting pits a ghostly assemblage created from red and yellow color zones in the foreground against a silhouetted plant in tropical colors behind, neither of which seem to settle in their places. (At Asya Geisberg Gallery, through Feb 15th).  

Angelina Gualdoni, Rooms, oil and acrylic on canvas, 47” x 52,” 2013.