Martin Puryear at Matthew Marks Gallery

History looms large in succinct and powerful sculptures by Martin Puryear at Matthew Marks Gallery that include a huge civil war cap with a cannon hidden inside and a classical fluted column supporting a stylized shackle – a monument to Sally Hemings.  Here, a precariously situated wagon reimagines the vehicles the Boers used to move into South Africa’s interior in the 19th century.  Titled ‘New Voortrekker,’ after the term the Boers used for themselves, the sculpture’s wagon features a spiral staircase with a mirror at its base, as if to offer ascending/descending settlers a different view of themselves.  (On view in Chelsea through Dec 19th. Masks, social distancing and appointments are required).

Martin Puryear, New Voortrekker, ash, American cypress, maple, mirror, 2018.

Matt Bollinger at Zurcher Gallery

A heavy, fascinating stillness pervades Matt Bollinger’s paintings and animation at Zurcher Gallery on the Lower East Side, extending even to this sculpture of a hand ashing a cigarette. The hand (crafted in resin and foam with painted highlights) looks like it’s been extracted from a painting, miraculously appearing in 3-D form before us. (On view through Dec 21st).

Matt Bollinger, Ash, resin, foam, wood and acrylic, 11 x 12 x 12 inches, 2017.

Zhang Huan at Pace Gallery

At 122 feet long, Shanghai-based artist Zhang Huan’s epic painting of Mao surrounded by hundreds of government members and followers forcefully demonstrates the Chinese leader’s power just a short while before the Cultural Revolution began. Created in ash gathered from Buddhist temples, a material Zhang identifies with ‘collective longings, wishes of the people,’ the piece demonstrates the continued sway of history on contemporary life and politics. (At Chelsea’ Pace Gallery through Dec 12th).

 Zhang Huan, June 15, 1964, ash on linen, 9’ 5/16 x 122 ‘ 11/16”, 2013.