Jim Campbell at Bryce Wolkowitz Gallery

New media artist Jim Campbell is known for deliberately low-res projections of crowds and individuals in movement. The focus of his current solo show at Bryce Wolkowitz Gallery – images and video from January’s Women’s March in DC – is serendipitous subject matter for the artist. In this layering of still images on a lightbox, many people (and metaphorically, points of view) come together to suggest a mass action. (At Bryce Wolkowitz Gallery in Chelsea through June 17th).

Jim Campbell, Untitled, c-print, Plexiglas, light box, 32 x 48 x 5 inches, 2017.

Nathaniel de Large at 247365

The chemical smell of ‘Stockpot’ – a Porta potty on rockers – hits immediately at Nathaniel de Large’s solo show at 247365 on the Lower East Side.   This surprising sculpture opens a show inspired by de Large’s time spent camping in a Brooklyn parking lot. Further in, the artist displays a puffer jacket the size of a camper (which serves as a screening room) and freshly poured concrete ‘sidewalks’ into which friends have carved their marks. (On view through March 10th).

Nathaniel de Large, Stockpot, Porta potty, steel, aluminum, motor, shirt, concrete, 42 x 82 x 99 inches, 2017.

John Finneran at 47 Canal

Though he has focused on the female form in past, pared down representations, a large, pink-hued highlight of John Finneran’s latest solo show at 47 Canal features three kings. Resembling archaic designs and featuring universal geometries, they appear both ancient and contemporary. (On the Lower East Side through April 2nd).

John Finneran, Kings, oil and charcoal on linen, 66 x 74 inches, 2017.

Richard Mosse at Jack Shainman Gallery

Richard Mosse pictures European refugee camps like you’ve never seen them in monumental new photos taken with a military grade telephoto camera. Normally used for combat and border surveillance, the camera detects thermal radiation, turning individuals into ghost-like presences. (At Jack Shainman Gallery’s 20th Street location in Chelsea through March 11th).

Richard Mosse, (detail of) Idomeni Camp, Greece, digital c-print on metallic paper, 40 x 120 inches, 2016.

Uta Barth at Tanya Bonakdar Gallery

Inspired by the light in her adopted home-city of LA and by the still life arrangements of Italian painter Giorgio Morandi, Uta Barth employs everyday glassware as lenses. Transparent objects in various shapes, colors and combinations shift light to harness the properties of nature in service of art. (At Tanya Bonakdar Gallery in Chelsea through March 11th).

Uta Barth, In the Light and Shadow of Morandi (17.03), face mounted, raised, shaped, Archival Pigment print in artist’s frame, 48 ¾ x 52 ¾ inches, 2017.