Tag: architecture

Alvar Aalto in “Community: The Architecture of Civic Space and Private Domains” at the Metropolitan Museum of Art

International style architecture and Bauhaus design strongly influenced late Finnish architect Alvar Aalto’s influential bent plywood furniture, sourced from his country’s birch and pine forests.  His famous ‘Paimio chair,’ designed for a tuberculosis hospital in Paimio, Finland, and now on view at the Metropolitan Museum of Art in the fascinating group exhibition, “Community: The Architecture of Civic Space and Private Domains,” was angled to allow patients to better breathe and cough.  Material choices along with color and other considerations were essential elements in Aalto’s and his wife Aino’s designs, aimed at meeting the needs of individuals.  (Ongoing at the Metropolitan Museum of Art on the Upper East Side).

Alvar Aalto, ‘Model No. 41’ Lounge Chair for the Paimio Sanatorium, laminated birch, 1931-32.

Claudia Martinez Garay at GRIMM Gallery

Lima and Amsterdam-based artist Claudia Martinez Garay constructs a complex image of Peruvian culture and history by combining images sourced through different means. In a piece now on view in her solo show at Grimm Gallery in Tribeca, a winged hybrid creature and stepped geometries inside a flat-topped pyramidal form bring to mind Peruvian mythologies and architectures.  In the foreground, academic drawings of native flora are mounted on aluminum, expanding representations of Peru into the gallery and into the realm of new understandings.  (On view through Oct 15th).

Claudia Martinez Garay, Ghost Kingdom, painted wall mural, sublimated print on aluminum (9 parts), steel stand (6 parts), 199 x 186 x 115 inches, 2022.

Mary Lum at Yancey Richardson Gallery

Long walks through New York, Paris and London yield source material for Mary Lum’s complex photo and paint collages, now on view at Yancey Richardson Gallery in Chelsea.  Titled 11th Avenue, this piece features slices of urban architecture and facades that dynamically multiply the grid.  At center, Lum seamlessly turns a photo of metal piping into a flattened piece of paper that in turn guides our eye up and over a grey wall – all moves that keep our sense of space shifting in an engaging way.  (On view through Feb 26th).

Mary Lum, 11th Avenue, gouache, watercolor, acrylic, colored pencil, and photo collage on paper, 11 ¼ x 14 7/8 inches, 2021.

M.C. Escher at Bruce Silverstein Gallery

Just as a tiny shift in perspective can cause a straightforward transparent cube to morph into an impossible cube, M.C. Escher’s architecture in this 1958 print is believable on first glance, until matching up columns to arches proves otherwise.  The lithograph is one of 75 artworks on view in Bruce Silverstein Gallery’s exhibition of the Dutch printmaker’s work from the ‘30s to late career. Inspired by the impossible cube, a version of which is being held by a seated man on the lower terrace, Escher delights viewers by confounding us.  (On view in Chelsea through Nov 20th).

M.C. Escher, Belvedere, lithograph, printers proof, 18 ¼ x 11 5/8 inches, 1958.

Jonathan Monaghan at Bitforms Gallery

Luxury, power, and technology provocatively merge in Jonathan Monaghan’s mesmerizing digital images and new animation ‘Den of Wolves’ at Bitforms Gallery.  Traditional symbols of monarchal authority – an ermine robe, a scepter – show up in the aisles of an otherwise empty big box outlet or a pristine, unpopulated Apple store, conflating old and new symbols of cultural clout.  Still images titled ‘Sentry’ or ‘Soft Power’ picture the places and beings – composed of luxurious upholstery and architectural details – populating Monaghan’s eerie, too-perfect dystopia. (On view on the Lower East Side through June 12th.  Masks and social distancing are required).

Jonathan Monaghan, Soft Power II, dye-sublimation on aluminum, painted maple frame, 27 x 22.5 inches, 2020.