Tetsumi Kudo at Andrea Rosen Gallery

Cage-based artworks from the ‘60s to the early ‘80s by late, Paris-based Japanese artist Tetsumi Kudo at Andrea Rosen Gallery demonstrate human estrangement from nature. Despite the bright colors, a heart shape, plastic flowers and the label reading ‘Bonheur,’ happiness seems far from this abject couple’s experience. (In Chelsea through Nov 16th).

Tetsumi Kudo, Bonheur, painted cage, artificial soil, plastic flowers, cotton, plastic, polyester, resin, string, cigarettes, thermometer, Aspro tablets, circuit board, 21 x 11 x 14 inches, 1974.
Tetsumi Kudo, Bonheur, painted cage, artificial soil, plastic flowers, cotton, plastic, polyester, resin, string, cigarettes, thermometer, Aspro tablets, circuit board, 21 x 11 x 14 inches, 1974.

Matthew Ronay in ‘Empirical Intuitive Absorption’ at Andrea Rosen Gallery

Does abstract art tap into a subconscious human understanding of the order of the universe? Curator and artist, Matthew Ronay asks this question in Andrea Rosen Gallery’s summer group show. His own colorful wooden sculptures explore forms recalling (in his words) ‘alien deep sea creatures, glandular secretions, vibrating fields of energy, and tongues and protrusions on scales indeterminable.’ (In Chelsea through August 5th).

Matthew Ronay, The Kernel, basswood, dye, gouache, steel, 18 x 31 ½ x 11 ¼ inches, 2016.
Matthew Ronay, The Kernel, basswood, dye, gouache, steel, 18 x 31 ½ x 11 ¼ inches, 2016.

Yoko Ono at Andrea Rosen Gallery and Galerie Lelong

Don’t be surprised if the smell of coffee and the sound of breaking ceramics greet you on a visit to Yoko Ono’s two-gallery show at Chelsea’s Andrea Rosen Gallery and Galerie Lelong. The artist entices audience participation with free coffee and abundant materials. ‘Mend Piece’ suggests that fixing crockery will ‘mend the earth at the same time.’ (In Chelsea through Jan 23rd).

Yoko Ono, Mend Piece (Andrea Rosen Gallery, New York, 2015/2016), ceramic, glue, tape, scissors and twine, dimensions variable, 1966/2015.

Asdzaa Nadleehe at Andrea Rosen Gallery




A velociraptor and protoceratops replica skeleton watch over an exhibition at Andrea Rosen Gallery of thought-provoking objects dedicated to the idea of perpetual adaptation and change. On the floor, Anne De Vries pictures crowds on odd-shaped, organic forms.   To the right, Tetsumi Kudo’s plastic and polyester flower, references growth post-nuclear contamination. (In Chelsea through January 23rd).

Installation view of Asdzaa Nadleehe at Andrea Rosen Gallery, December 2015.


Sara Cwynar in ‘Continuous Surfaces’ at Andrea Rosen Gallery

Sara Cwynar’s photo of stacked images of Nefertiti comes at a moment when it’s possible to see images of the ancient Egyptian queen at both the Brooklyn Museum and another Chelsea gallery, reinforcing the idea that much of what we’re seeing in daily life is an oft repeated referent to a distant original. The words ‘ERROR: ioerror’ appear scattered throughout suggesting a corrupting effect to so much mediation. (At Chelsea’s Andrea Rosen Gallery through Oct 24th)

Sara Cwynar, 432 Photographs of Nefertiti, collaged UV coated archival pigment prints mounted to Plexiglas and Dibond, 54 x 43 x 7/8 inches, 2015.