Ron Kleeman at Bernarducci Meisel Gallery

Race cars and trucks were the late photorealist painter Ron Kleemann’s vehicle for exploring light and color in the world around him. Here, a surveyor’s tripod, a first responder’ pickup and a helicopter seem to merge together by virtue of their common color. (At Bernarducci Meisel Gallery on 57th Street through Dec 17th).

Ron Kleemann, Manhattan on Hudson, oil on canvas, 47 x 59 ½ inches, 1979.
Ron Kleemann, Manhattan on Hudson, oil on canvas, 47 x 59 ½ inches, 1979.

Liu Bolin at Klein Sun Gallery

Beijing-based artist Liu Bolin pictures himself in this larger-than-life sculpture going through airport security. Contrary to the freedom of flying, the artist describes this gesture as abandoning independence and offering a prayer for safety. Covered in designs based on snack food packaging, Liu Bolin simultaneously suggests identity further compromised. (At Chelsea’s Klein Sun Gallery through Nov 1st).

Liu Bolin, Security Check No 1, acrylic on copper, 80 ¾ x 37 3/8 x 21 5/8 inches, 2014.

Irving Norman at Michael Rosenfeld Gallery

Mass groups of nude men and women, pawns in a larger social design, populate European-American artist Irving Norman’s work from the late 60s to 80s, now on view at Michael Rosenfeld Gallery. Here, futuristic planes packed with passengers shoot out polluting smoke as they blast ominously forward. (In Chelsea through October 25th).

Irving Norman, Airport, oil on canvas, 92 x 119 ¾ inches, 1972.

Roxy Paine at Marianne Boesky Gallery

A room eighty feet long is condensed into 18 feet in Roxy Paine’s latest uncanny scene from his Diorama series – an airport security checkpoint crafted entirely in maple wood, devoid of humans and presented for contemplation. (At Chelsea’s Marianne Boesky Gallery through October 18th).

Roxy Paine, Checkpoint, maple, aluminum, fluorescent light bulbs, and acrylic prismatic light diffusers, 14 ‘ h x 26’ – 11” w x 18’ – 7 1/2” d, 2014.

Mark Shetabi at Jeff Bailey Gallery

Mark Shetabi’s white, pleasingly symmetrical airport baggage carousel evokes James Turrell’s models for sky-viewing structures (recently exhibited at Pace Gallery).  But while both artists conjure a powerful moment of waiting and wondering, Shetabi’s clever take on minimalist forms is more anxious than sublime.   (At Chelsea’s Jeff Bailey Gallery though June 22nd).  

Mark Shetabi, Carousel, wood, polystyrene, modeling paste, acrylic, linen, sandpaper, old T-shirt, and Plexiglas, 2013.