Lucy Mackenzie at Nancy Hoffman Gallery

The color, transience and fragility of flowers inspires British painter Lucy Mackenzie; here, a drawing of late summer flowers in colored pencil on paper is a last hurrah for summer. (At Nancy Hoffman Gallery in Chelsea through May 2nd).

Lucy Mackenzie, September Flowers, colored pencil on paper, 4 ¾ x 4 ¾ inches, 2015.

Tomoko Sawada at Pace MacGill

How much uniqueness is possible in uniform, corporate culture? Japanese artist Tomoko Sawada makes herself surprisingly malleable in photos that mimic job application ID photos. The master of disguise works wonders within narrow parameters…which one would you hire? (At Pace MacGill on 57th Street through April 25th).

Tomoko Sawada, Recruit/Grey, one hundred chromogenic prints hinged to board each image and paper, 2 x 1 5/8 inches mount, 27 3/8 x 23 ½ inches, 2006.

Pieter Schoolwerth at Miguel Abreu Gallery

One day while cleaning, artist Pieter Schoolwerth exclaimed in frustration, ‘This vacuum sucks!’ This unintended truism launched the idea for a show – can a vacuum do anything other than suck? Schoolwerth’s paintings and installation at Miguel Abreu Gallery show humans sucked into another dimension, speaking from the void and holding a vacuum hose like a mic. (Through May 3rd).

Pieter Schoolwerth, installation view of ‘Your Vacuum Blows, which Sucks,’ at Miguel Abreu Gallery, March 2015.

Steve DiBenedetto at Derek Eller Gallery

Admiringly called ‘expertly constructed, aggressively psychedelic and curiously weird’ recently by the New York Times, Steve DiBenedetto’s latest abstract canvases flirt with representation but elude it, hinting at a half-understood world beyond. (At Derek Eller Gallery through April 25th).

Steve DiBenedetto, Catholic Deli, oil on linen, 60 x 72 x 1.375 inches, 2012 – 15.

Renaud Jerez in ‘Debris’ at James Fuentes Gallery

For creepy, nothing quiet matches young French artist Renaud Jerez’s bug-eyed, chicken-footed, PVC skeleton at James Fuentes Gallery on the Lower East Side. Similar sculptures in the New Museum’s Triennial, cobbled together and slightly burnt characters, suggest post-apocalyptic survivors. (Through April 26th).

Renaud Jerez, TJS 1, burnt PVC pipe, aluminum, cotton, string, satellite cable, web cams, duct tape, plastic tubing, polyester and denim clothing with rubber feet, 79 x 29.5 x 32 inches, unique, 2015.