‘Emotional and empathetic’ painting has been New York painter Doron Langberg’s goal since he saw a show of Lucian Freud’s paintings as a kid. His first solo show at Yossi Milo Gallery is a tour de force of sensitively conceived, often monumentally-scaled portraits of friends and family at ease, enjoying leisure time or intimacy. (On view in Chelsea through Oct 19th).
Zanele Muholi’s ‘Somnyama Ngonyama’ (Hail the Dark Lioness) photo series features the South African activist and artist modeling dramatic outfits that on closer inspection turn out to be composed of everyday household items. Muholi’s source image for this beaded panel created with fellow South African artist Morgan Mahape involved a headdress crafted from donut-shaped scouring pads, an important detail that’s less apparent here. Muholi’s softer look and averted gaze are less confrontational than the series’ other powerful images but the piece reads as a tribute to an artist who uses her own body to challenge perceptions and prompt reflection. (On view in ‘African Spirits’ at Yossi Milo Gallery through August 23rd).
Whether she’s boldly charging into the Pacific Ocean or gingerly stepping into a placid pond to expose a cyanotype, Meghan Riepenhoff continues to generate fascinating and beautiful cameraless images of water. For this multi-panel work, the artist dipped her prepared photo paper into Utah’s Great Salt Lake, sprinkled on salt from the ground and allowed the work to dry, propped in the sun. (On view in Chelsea at Yossi Milo Gallery through June 22nd).
A male authority figure crumbles as he leads three young women toward a shattered monolith in Arghavan Khosravi’s lushly painted ‘Mesmerized, Listen to the Big Brother’ at Yossi Milo Gallery in Chelsea. Though eerily uniform and restrained by shackles connected to earbuds around their necks, the women are real and may free themselves as the illusion ahead of them breaks apart. (On view through April 27th).
Kyle Meyer’s photodocumentary work with eSwatini’s (formerly Swaziland’s) HIV positive populations parallels a stunningly beautiful personal project shot with members of the country’s gay community and now on view at Chelsea’s Yossi Milo Gallery. After photographing men wrapped in scarves made of vibrant fabrics (chosen together at market), Meyer hand sliced the scarf fabric, weaving it into a photo that both protects the sitter’s identity while declaring his existence. (On view through Dec 8th).
