Yoan Capote at Jack Shainman Gallery

Evoking light from heaven as well as the rising sun, Cuban artist Yoan Capote’s use of gold in a show of new seascapes at Jack Shainman Gallery’s Chelsea locations offers immediate uplift. After a 2019 visit to Italy, where Capote had access to abundant medieval and early Renaissance art, the artist adopted gold backgrounds and the circular format of this painting to create images that are optimistic yet also anxious.  Connecting the migrant crisis in the Mediterranean with many Cubans’ struggle to cross the Caribbean, Capote embeds fishing hooks in recent work, picturing the sea as a barrier.  (On view through Aug 5th).

Yoan Capote, Requiem (vault), 24kt gold leaf, nails and fishhooks on panel of linen mounted over plywood, 53 (diameter) x 5 (depth) inches, 2021.

Becky Suss at Jack Shainman Gallery

During the pandemic, many people became extremely familiar with their domestic spaces.  Philadelphia-based artist Becky Suss turned up the intensity on her introspection by moving back into her childhood home with her young child and proceeding to paint scenes of her childhood bedroom from different points in her life.  Now on view at Jack Shainman Gallery, the new work reveals how she mined her memory for details from her past, creating scenes within scenes; here, each window in the dollhouse represents a setting from a different children’s story. (On view in Chelsea on 24th Street through June 18th.)

Becky Suss, 8 Greenwood Place (my bedroom), 84 x 60 x 2.5 inches, oil on canvas, 2020.

Barkley L. Hendricks at Jack Shainman Gallery

Known for his portraits of stylish Black people painted from the ‘60s onward, Barkley L. Hendricks’ lesser-known body of work merging minimalism and basketball is now on view at Chelsea’s Jack Shainman Gallery.  Between attending the Pennsylvania Academy of Art and Yale, Hendricks worked for the Philadelphia Department of Recreation as an artist with access to the courts and games that inspired pieces like ‘Two!’  Though the ball is in motion here, a sense of stillness pervades, as if the artist is savoring a moment in a game.  Though circular and rectangular forms dominate and bring to mind hard-edge abstraction, Hendricks evokes the flat stillness of a momentous scene in an early Renaissance painting.  (On view in Chelsea through April 30th).

Barkley L. Hendricks, Two!, oil on linen, 44” diameter, 1966-67.

Claudette Schreuders at Jack Shainman Gallery

Known for medium-sized, uncannily still wooden figures, South African sculptor Claudette Schreuders explores the notion of doubling with new work at Chelsea’s Jack Shainman Gallery.  In response to the experience of social isolation over the last two years, Schreuders has been picturing the self as constant presence and company.  Titled Accomplice, this piece considers how a lack of communication can lead to polarization and extreme thinking; however, at the same time, the hand gestures were inspired by a tender moment in a 14th century medieval church sculpture of Christ’s mother Mary greeting her relative, Elizabeth.  (On view through April 2nd).

Claudette Schreuders, Accomplice, Jelutong wood, enamel and oil paint, 27 ¾ x 20 x 11 inches, 2021.

Ifeyinwa Joy Chiamonwu at Jack Shainman Gallery

Young Nigerian artist Ifeyinwa Joy Chiamonwu amazes with her photo realist style and the pleasure she takes in painting elements of Igbo tradition.  In this piece titled ‘Umunne (Siblings)’ at Jack Shainman Gallery on 24th Street, Chiamonwu depicts two of her siblings in a moment of peaceful unity as they pose together with closed eyes.  A cowry shell bracelet symbolizing prosperity and snail shells signifying abundance speak to the family’s cultural wealth.  (On view in Chelsea through Feb 19th.  Masks and social distancing required.)

Ifeyinwa Joy Chiamonwu, Umunne (Siblings), charcoal, sepia, pastel and acrylic paints on canvas, 46 ½ x 46 inches, 2021.