Peter Alexander at Pace Gallery

After an over two-decade hiatus from sculpture-making, late west coast Light and Space artist Peter Alexander came back strong, creating cast forms that appear to glow.  Pace Gallery’s current show of these works from ’11 to ’20 features this eighteen-foot-long installation of urethane strips.  Varying in width and color, the parallel pieces create an irregular rhythm that excites the senses.  (On view through March 19th).

Peter Alexander, Heard it Through the Grapevine, urethane, 77 x 18’ 1” overall installed, 2019.

Sally Gall at Winston Wachter Gallery

At first glance, photos from Sally Gall’s Aerial series at Chelsea’s Winston Wachter Gallery create happy confusion; abstract shapes and vibrant colors lure us into trying to understand what’s being represented.  After a longer look, what appeared to be sea life or flowers resolves into items seen from below on a clothes-line.  Even after the ‘ah-ha’ moment of identification, Gall’s images continue to entice as colorful and complex abstractions.  (On view in Chelsea through March 5th).

Sally Gall, Composition #1, archival pigment print, various image and edition sizes available, 2015.

Rachel Rose at Gladstone Gallery

Rachel Rose’s recent sculptures at Gladstone Gallery juxtapose blown glass and large rocks or, in this case, a wood burl shaped like an egg, to contrast two vastly different natural materials and represent a ‘moment of radical shift.’ The show’s centerpiece, a film titled ‘Enclosure,’ also considers a rupture that continues to impact relations between humanity and nature today. Via the fictional story of a band of thieves who set out to defraud English rural communities of their land, Rose examines how, from the 17th century onward, the Enclosure Acts in England allowed consolidation of large tracts of land, taking them out of collective ownership and putting them into the hands of powerful interests. (On view on 21st Street in Chelsea through Feb 26th).

Rachel Rose, Burl Egg, burl egg and blown glass, 2021.

Mary Obering at Bortolami Gallery

Inspired by her love of art history and travel to Italy, New York-based artist Mary Obering infuses modern, minimal style with references to early Renaissance art to create dynamic and luminous paintings.  Bortolami Gallery’s current presentation of her work from 1972 – 2003 includes this 1992 painting that balances light and dark colors in a way that moves the eye around the canvas, creating a lively circular movement enriched by glowing panels of gold leaf.  Blocks of color in egg tempera – painted to show the artist’s hand through fluctuations of color – have an extra vibrant glow, adding to the uplift and pleasure of the piece.  (On view in Tribeca through Feb 26th. Masks and social distancing are required.)

Mary Obering, A2 + Y2, egg tempera and gold leaf on gessoed panels, 2 panels, total dimensions: 84 x 84 inches, 1992.

Mulyana at Sapar Contemporary

Indonesian artist Mulyana’s playful knit and crocheted sculptures are an immediate draw at Sapar Contemporary in Tribeca for their fantastical forms and bright colors.  Whether replicating a coral reef or crafting one of his signature alien or octopus-like creatures, the artist uses soft materials that create a feeling of comfort and intimate familiarity.  His intention is to encourage respect for the wonders of the natural world, titling his show ‘Fragile Ecologies,’ and explaining that for him, the process of creating the work is an act of meditation or prayer.  (On view in Tribeca through March 4th. Masks and social distancing required.)

Mulyana, foreground) Mogus 93, yarn, dacron, felt, 11 3/8 x 7 ½ x 26 ¾ inches, 2021.