Yutaka Sone at David Zwirner Gallery




Palm tree paintings made in LA artist Yutaka Sone’s garden and rattan palm trees created by craftspeople in Mexico point to the artist’s exploration of Aztec history in Michoacan, Mexico, the subject of Sone’s upcoming film. (At David Zwirner Gallery through Feb 20th).

Yutaka Sone, Sky and Palm Tree Head #5, (on the wall), acrylic on canvas, 85 x 102 ½ inches, 2013. In foreground, two ‘Tropical Compositions’ in rattan, metal and paint, 2011 and 2012.


Odili Donald Odita at Jack Shainman Gallery

Nigerian American artist Odili Donald Odita aims to make paintings that ‘exist before language,’ a strategy that works immediately in his high-impact wall mural at Jack Shainman Gallery’s 24th Street space in Chelsea. (Through Jan 30th).

 Odili Donald Odita, Installation view of ‘The Velocity of Change,’ at Jack Shainman Gallery, Dec 2015. On view through Jan 30th, 2016.

Li Hongbo at Klein Sun Gallery

Beijing-based artist Li Hongbo’s installation at Klein Sun Gallery creates a powerful creature from prosaic materials, if you interpret a snaking line of giant binder clips as a dragon. Textbooks flap like birds in the air above, pave a pathway below, and are carved into the shape of students at desks in the back of the gallery, all begging the question of how education might have the power to shape a society. (In Chelsea through Feb 13th).

 Li Hongbo, installation view of ‘Textbooks’ at Klein Sun Gallery, January 2016.

Penelope Umbrico at Bruce Silverstein Gallery

Penelope Umbrico continues to mine Flickr’s vast on-line archive of images for collage-like assemblages that gently and beautifully point out the homogeneity of our camera-driven visual culture. Her latest show – and first at Chelsea’s Bruce Silverstein Gallery – zeros in on photos that have been copyrighted by amateur photographers against the back wall. In the foreground, screen shots of images tagged ‘full moon’ run on a scroll on and on along the gallery floor. (Through Feb 20th).

 Installation view of ‘Penelope Umbrico: Silvery Light,’ at Bruce Silverstein Gallery, January 2016.

Erik Parker at Paul Kasmin Gallery

Conveyor belts of alien-like creatures, tropical landscapes in day-glo colors, and a high-wire act define the turbulent interior life of this person by New York artist Erik Parker. A silhouette of a lone shepherd towards the bottom of the painting remains like a suppressed hope for simpler times. (At Paul Kasmin Gallery’s 297 Tenth Ave space through Jan 23rd).

 Erik Parker, Tastemaker, acrylic on canvas, 90 x 80 inches, 2015.