Eric Aho at DC Moore Gallery

A frenzy of gestural abstraction in the foreground of this
painting by Vermont-based artist Eric Aho crystalizes into a representational
image of a majestic mountain in the far distance, giving the impression that Aho
begins by almost being inside his subject matter…then gradually allows images
to materialize.  (At Chelsea’s DC Moore
Gallery
through Nov 14th).

Eric Aho, The Mountain, oil on linen, 90 x 80inches, 2014.

Martin Wittfooth at Jonathan LeVine Gallery

Martin Wittfooth’s ‘Dawn’ would look like an exaggerated prophecy about the dangers of global warming on coastal cites were it not for the few apartment lights on below the massive whale. A few people are waking up to a reality far beyond the norm – a theme that ties into Wittfooth’s interest in altered consciousness in shamanistic practice. (At Chelsea’s Jonathan Levine Gallery through Nov 14th).

Martin Wittfooth, Dawn, oil on canvas, 54 x 120 inches, 2015.

Mernet Larsen in ‘Let’s Get Figurative’ at Nicelle Beauchene Gallery

Mernet Larsen’s eerie nativity scene is a standout in Nicelle Beauchene Gallery’s mini-survey of current trends in figurative painting. Though the figures’ boxy shapes recall the Cubism-mocking ‘Cubies’ cartoons from a century ago, flashes of oddness (in the position of the angels’ feet, a spill on Mary’s lap) punctuate an already charged atmosphere. (On the Lower East Side through Nov 15th).

Mernet Larsen, Nativity, acrylic and mixed media on canvas, 74 x 31.5 inches, 2005.

Jose Parla at Mary Boone Gallery & Bryce Wolkowitz Gallery

Once a street artist, now an artist inspired by the
histories of the built environment, Jose Parla adds layers of posters, grime
and brightly colored paint to faux fragments of wall currently on view at Bryce
Wolkowitz Gallery and Mary Boone Gallery. 
Considering that the block on which these galleries stand has been
largely rebuilt in the past several years, Parla’s treasuring of fragments from
the past has particular resonance. 
(Through Oct 31st).

Jose Parla, installation view at Bryce Wolkowitz Gallery,
Sept 2015.

William Villalongo at Susan Inglett Gallery

‘You Matter,’ reads a sign in the window of William Villalongo’s current solo show at Susan Inglett Gallery, recalling the refrain from recent protests against police aggression. Inside, the Brooklyn-based artist presents the seasons as skeletons cloaked in glittering black female bodies and dominating lush landscapes – characters at peace and one with nature. (In Chelsea through Oct 17th).

William Villalongo, (detail from) Spring, acrylic, paper and velvet flocking on wood panel, 72 x 36 inches, 2015.