Cristina Camacho at Praxis International Art

How much can a human face tell us? Young Columbian artist Cristina Camacho’s sliced canvases first look like geometric abstraction, then resolve into portraits that hint at humanity or the digital visage of an intriguing but radically strange creature. (At Praxis International Art in Chelsea through July 8th).

Cristina Camacho, Olivia, acrylic on canvas, 56 x 56 inches, 2016.

Joakim Ojanen at The Hole NYC

Swedish artist Joakim Ojanen’s odd ceramic heads resemble gourds and various animals, in this case, a bird. The creatures formerly manifest themselves in two dimensions as drawings. Now in the round, they allow Ojanen’s strange vision to inhabit space with us. (On view at The Hole on the Lower East Side through July 7th).

Joakim Ojanen, Monday Face, glazed stoneware, 17.5 x 12 x 13 inches, 2017.

David Kennedy Cutler at Derek Eller Gallery

David Kennedy Cutler pushes the idea of self-display by putting a scanned and printed effigy of himself in a vitrine in his latest solo show at Derek Eller Gallery. Wearing one of his signature plaid shirts, further enhanced by a kale and bread pattern, Kennedy Cutler refers to his role as consumer as the audience consumes his artwork. (On view on the Lower East Side through June 25th).

David Kennedy Cutler, Fourth Self, plywood, Plexiglas, dummy and wooden hammer, 76 x 22.5 x 18 inches, 2017.

Alice Neel at David Zwirner Gallery

Alice Neel’s striking 1950 portrait of African-American playwright and actress Alice Childress portrays the writer as alert witness gazing from an uptown apartment window on life below. A red hat, blue dress and yellow flowers pack a visual punch, turning this otherwise sedate interior scene into a testimony to Childress’ lively powers of observation. (At David Zwirner Gallery’s 19th Street location through April 22nd).

Alice Neel, Alice Childress, oil on canvas, 30 1/8 x 20 1/8 inches, 1950.

Karin Sander in ‘Serialities’ at Hauser & Wirth Gallery

Karin Sander, early adopter of 3D printing, still manages to make her mini-portraits look futuristic, as in this sculpture that makes her look as if she’s shimmering like a mirage or a hologram. (At Hauser & Wirth Gallery in Chelsea through April 8th).

Karin Sander, Karin Sander 1:5, 3D color scan of the actual person polychrome 3D printing, black and white, plaster material, 33 cm/13 inches, 2015.