Despina Stokou in ‘Sweet Distemper’ at Derek Eller Gallery

Despina Stokou, 'Conversations on the Dirty Dozen series,' mixed media on wall, 2012.
Despina Stokou, ‘Conversations on the Dirty Dozen series,’ mixed media on wall, 2012.

Berlin-based Greek artist Despina Stokou makes her New York debut with ‘Conversations on the Dirty Dozen,’ an unmissable mixed media wall installation featuring a nude surfer and scrawled text.  The haphazard look of Stokou’s writing channels Cy Twombly’s energetically repeated words and marks and Matt Mullican’s automatism, and looks as if it would involve insane ramblings.  In fact, the words trail off with a piece of tongue-in-cheek art world advice (from an artist who is also a curator) reading “I used to be an artist too, you know.  If you don’t watch out you’re going to end up a curator.” (Stokou is part of ‘Sweet Distemper,’ organized by Isaac Lyles at Derek Eller Gallery through August 16th).

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)